What has been under the Shadow: Wang Gongxin Solo Exhibition at the Bunker
2019.5.1
The Coincidence of Virtual Technology and Garden Landscape: Exhibition of Sui Jianguo was unveiled
2019.4.30
In Memoriam Zou Yuejin—Idea and Art interprets “spiritual productivity” across 22 Years
2019.4.19
Thoughts on the Destiny of Land: Liu Haigang’s “Absolute Control II” was unveiled at Wu Xun Gallery
2019.4.17
Interpretation of 24 Items in a List of Qiu Zhijie through "Mappa Mundi"
2019.4.15
The Solo Exhibition of Pang Maokun’s Artworks “The Encounter with There-Being” Presents an Inner Gaze born from the Heart
2019.4.2
Visiting “Painting/Living” before Going out Sketching: Research Art Exhibition by Lin Gang
2019.3.22
Fan Di’an: Brief Greeting to Arata Isozaki
2019.3.18
The Controversy Aroused by the Plagiarism Accusation Against Ye Yongqing: How “deep” an influence could art be?
2019.3.15
The Strength of Stability: Encountering Sculptor Bruno Walpoth in Silence
2019.3.12
Visiting an Exhibition on Broken Glass: Liu Jianhua’s “Mirror Effect” opens up a new experience for visitors
2019.2.22
From Dusk through to Dawn: Studying Abroad in France and Developments in Oil Painting in China
2019.1.24
A Founder of the Centennial CAFA “Going Home” with the Exhibition: “Zheng Jin and the Modern Chinese Art Education” was launched
2019.1.16
Authentic Individuals under Collectivism: Exhibition “Steel Home Still” Tells a Chinese Story in Venice
2019.1.15
Frameworks of Xiao Yu
2011.12.5
Leng Lin mixes an ‘empire gallery’ with academic theory
2011.11.8
Feng Mengbo and His Digital Art Age
2011.10.24